Revolution in Black and White

What set his work apart was that he goes beyond the political struggles to explain the civil rights movement that changed the country. Withers was primarily a local photographer, working as a freelancer for the Memphis World and Tri-State Defender starting in 1948. His photographs of the everyday world—bridge clubs, funerals, people at work and play, and street life—create a stunning record of what it was like to live in Memphis and the Mid-South. He was also a noted baseball photographer, documenting Negro League baseball in Memphis, and a noted music photographer, taking thousands of photographs of jazz, blues, rock ’n’ roll and R&B performers.

This book combines this work for the first time and uses first-hand accounts of people who lived in the South to explain these transformative years. The photographs, taken as bare-bones journalism, rises to the level of fine art decades later.

They are also important examples of photojournalism, documenting decades of struggle in Memphis and the Mid-South. They serve as an important missing link in the civil rights narrative.

In 2010, three years after his death, the Memphis Commercial Appeal newspaper published a series of articles that showed that Withers was a paid informant of the FBI. This book goes beyond the headlines to show how Withers created an essential record for all of us to better understand life in the South during this crucial era.

Richard Cahan and Michael Williams are noted photo historians. They have teamed up to produce more than twelve books. Most are based on long-lost archives or photographic collections. Called “the eloquent archival sleuthing duo” by Booklist magazine’s Donna Seaman, they have written award-winning books about photography, art, and history, including two on Vivian Maier, the reclusive nanny whose discovered photographic work has become a worldwide sensation.