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Hilaire Belloc: A Study in Christian Integration

9781465666512
213 pages
Library of Alexandria
Overview
The ancient Arabs spoke of a creature having life in two worlds: his body was rooted in the earth, but his soul swept out across the horizons to a world beyond. Let us call him by his name: Man. This balance which is Man is a tension rarely maintained in the course of human existence. Let us call the one who situates his destiny in this world, and who habituates his gaze to the things this side of the horizon, Aristotelian Man. Let us call the one who despises the limits of the horizons, and who contemplates the world beyond, Platonic Man. This first alienation of man from himself was healed in the ancient world by the Incarnation. Aristotelian Man, like St. Thomas the Doubter, could put his fingers in the side of his Creator; and Platonic Man, like the mystic John, found the Word, but it was the Word made Flesh. Revelation restored to man the unity that was himself. Anima naturaliter Christiana. This unity was achieved as a reality both personal and corporate for a period of time in that small segment of the globe known as Western Europe. Human unity was gradually lost, and a new man came into being. This man has his life neither in the rooted things of the world nor in a heaven beyond. Nor is he Christian Man, man reconciled to himself. This new man looks neither outward and above nor outward and round about him. He looks within, and attempts to find his salvation by a penetration and purgation of the hidden depths of his own personality. This is Modern Man, man twice alienated from himself, and he has not yet found his soul. “Je est un autre,” said Rimbaud. “I IS an Other.” And yet the Other which he is, is shrouded in darkness; and it is in this crucifixion of himself that Modern Man has come to see, without knowing that he sees, the hidden irony of the Cross. Rimbaud was to wreak his vengeance on this Other he could not find by denouncing poetry, and by turning to what consolations the sands of Africa and the keel of a slave ship could offer an alienated man. He was a forerunner of what has become the dominant motif of the Western soul as expressed in its literature: the Man of Guilt.