Style and the Man
Meredith Nicholson
9781465663283
213 pages
Library of Alexandria
Overview
AT the word style the critics at once sit up and take notice. We are all sensitive to style; we either like to drift with an easy, lazy current, or we prefer to fight a turbulent, resisting tide; we enjoy contemplating the moonlight upon tranquil waters, or we find our greatest pleasure in watching the ruffian billows breaking against rough shores. These are largely matters of temperament or of mood. The attitude of many of us changes from day to day, from book to book; but at heart we all have a preference, a prejudice in favor of certain methods of writing, while others awake our antagonism. It has probably been the experience of all of us that books that reach the library table often lie unopened for many days; and then to our own surprise we some day take them up, read them with delight, and wonder why we approached them so reluctantly. In the same whimsical fashion we recur to volumes that we knew in old times, impelled by some instinct that makes us long to experience the same emotion, the same thrill, the same peace that gladdened our souls in happier days. There are books that fit into moods of sorrow, of loneliness, of anxiety; and others are equally identified with moods of happiness, elation and hope. There are in all our libraries, great or small, stern Gibraltars that rise gloomily before us on shelves to which we never turn with pleasure. Great writers have rarely written of style, perhaps because it is so individual, so intimate a matter; and the trick of the thing may not, except in rare cases be communicated to the tyro. The convenient methods of absent treatment advertised by correspondence schools of authorship are of no avail in the business of style; style can no more be taught than the shadows of clouds across June meadows, or the play of wind over wheat fields can be directed or influenced by the hand of man. To grasp style much is inevitably presupposed,—grammar, sensibility, taste, a feeling for color and rhythm,—of such things as these is the kingdom of style. In children we often observe an individual and distinctive way of saying things; we all have correspondents whose letters are a joy because of their vivid revelation of the writer. In every community there are persons much quoted for their wit or wisdom, whose sayings have a raciness and tang.
