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On the Borderland

Frederick Britten Austin

9781465658609
213 pages
Library of Alexandria
Overview
For the last twenty minutes the after-dinner talk of the little group of men in the liner’s smoking-room had revelled in the uncanny. One man had started it, rather diffidently, with a strange yarn. Another had capped it. Then, no longer restrained by the fear of a humiliating scepticism in their audience, they gave themselves up to that mysteriously satisfying enjoyment of the inexplicably marvellous, vying with each other in stories which, as they were narrated, were no doubt more or less unconsciously modified to suit the argument, but which one and all dealt with experience that in the ultimate analysis could not be explained by the normal how and why of life. “What do you think of all this, doctor?” said one of the story-tellers, turning suddenly to a keen-eyed elderly man who had been listening in silence. “As a specialist in mental disorders you must have had a vast experience of delusions of every kind. Is there any truth in all this business of spiritualism, automatic writing, reincarnation and the rest of it? What’s the scientific reason for it all?—for some reason there must be! People don’t tell all these stories just for fun.” The doctor shifted his pipe in his mouth and smiled, his eyes twinkling. “You seem to find a certain amount of amusement in it,” he remarked, drily. “The scientific reasons you ask for so easily are highly controversial. But many of the phenomena are undoubtedly genuine—automatic writing, for instance. It is a fact that persons of a certain type find their hand can write, entirely independent of their conscious attention, coherent sentences whose meaning is utterly strange to them. They need not even deliberately make their mind a blank. They may be surprised by their hand suddenly writing on its own initiative when their consciousness is fixed upon some other occupation, such as entering up an account-book. Always they have a vivid feeling that not their own but another distinctly separate intelligence guides the pen. This feeling is not evidence, of course. It may be an illusion; probably is. “The best-analyzed reincarnation story is probably that dealt with by Professor Flournoy in his study of the famous medium Hélène Smith of Geneva. This lady sincerely believed herself to be a reincarnation of Marie Antoinette—and in her trance-state she acted the part with astonishing fidelity and dramatic power. In her normal condition she certainly possessed neither so much detailed knowledge of the life of the ill-fated queen nor so much histrionic ability. She also wrote automatically, and some of her productions were amazing, to say the least of them. Well, Professor Flournoy’s psychological investigations proved clearly to my thinking that it was a case of her subconscious mind dramatizing, with that wonderful faculty of impersonation which characterizes it, a few hints accidentally dropped into it and combining with her subconscious memory, which forgets nothing it has ever heard or read or even casually glanced at, to produce an almost perfect representation of Marie Antoinette. Also he proved that her automatic writing emanated from her own subconscious mind and nowhere else.