Homage to John Dryden: Three Essays on Poetry of the Seventeenth Century
9781465650337
213 pages
Library of Alexandria
Overview
If the prospect of delight be wanting (which alone justifies the perusal of poetry) we may let the reputation of Dryden sleep in the manuals of literature. To those who are genuinely insensible of his genius (and these are probably the majority of living readers of poetry) we can only oppose illustrations of the following proposition: that their insensibility does not merely signify indifference to satire and wit, but lack of perception of qualities not confined to satire and wit and present in the work of other poets whom these persons feel that they understand. To those whose taste in poetry is formed entirely upon the English poetry of the nineteenth-century—to the majority—it is difficult to explain or excuse Dryden: the twentieth century is still the nineteenth, although it may in time acquire its own character. The nineteenth century had, like every other, limited tastes and peculiar fashions; and, like every other, it was unaware of its own limitations. Its tastes and fashions had no place for Dryden; yet Dryden is one of the tests of a catholic appreciation of poetry. He is a successor of Jonson, and therefore the descendant of Marlowe; he is the ancestor of nearly all that is best in the poetry of the eighteenth century. Once we have mastered Dryden—and by mastery is meant a full and essential enjoyment, not the enjoyment of a private whimsical fashion—we can extract whatever enjoyment and edification there is in his contemporaries—Oldham, Denham, or the less remunerative Waller; and still more his successors—not only Pope, but Phillips, Churchill, Gray, Johnson, Cowper, Goldsmith. His inspiration is prolonged in Crabbe and Byron; it even extends, as Mr. van Doren cleverly points out, to Poe. Even the poets responsible for the revolt were well acquainted with him: Wordsworth knew his work, and Keats invoked his aid. We cannot fully enjoy or rightly estimate a hundred years of English poetry unless we fully enjoy Dryden; and to enjoy Dryden means to pass beyond the limitations of the nineteenth century into a new freedom.
