The Countess of Rudolstadt
A Sequel to Consuelo
9781465647214
281 pages
Library of Alexandria
Overview
The Italian Opera-house at Berlin had been built early in the reign of Frederick the Great, and was then one of the most beautiful in Europe. There was no charge for admission—all the actors being paid by the king. To be admitted, however, it was necessary to have a ticket, every box having its regular occupant. The princes and princesses of the royal family, the diplomatic corps, the illustrious travellers, the academy, the generals, the royal household, the employés and friends of the king, monopolized the house. No one could complain of this, for theatre and actors, all belonged to the king. There was open to the people of the good city of Berlin, a small portion of the parterre, the greater part of which was filled up by the military, each company and regiment having a right to send a certain number of men. Instead of the joyous, impressionable and sensitive Parisian public, the artists had a pit full of heroes six feet high, as Voltaire called them, the greater number of whom brought their wives on their backs. The aggregate was brutal enough, strongly perfumed with tobacco and brandy, knowing nothing of music, and neither admiring, hissing, nor applauding except in obedience to orders. In consequence of the perpetual motion, however, there was a great deal of noise. Just behind these gentlemen there were two rows of boxes, the spectators in which neither saw nor heard. They were obliged, though, to be constantly present at the representations his majesty was graciously willing to provide for them. The king was present at every performance. In this way he contrived to maintain a military supervision of the many members of his family, and to control the swarms of courtiers around him. This habit he had inherited from his father, who, in a miserable frame building, occupied by wretched German buffoons, used to while away every winter evening, regardless of rain. The king used to sleep through the performance and the showers. This domestic tyranny, Frederick had undergone, suffering under it all the while; and when he became himself the possessor of power, rigidly enforced it, as well as many more despotic and cruel customs, the excellence of which he recognised as soon as he became the only person in the kingdom not obliged to submit to them.
