The Chicago Massacre of 1812
9781465628367
108 pages
Library of Alexandria
Overview
THE morning of Fort Dearborn's fatal day dawned bright and clear over Lake Michigan and the sandy flat. The "reveille" doubtless was sounded before sun-rise; and one can imagine the rattle of the drum and scream of the fife as they broke the dewy stillness and floated away, over the sand-spit and out on the lake; across the river to the Kinzie house and its outbuilding, the Ouillemette house; and up stream to the Indian encampments, large, dark and lowering. Quite possibly the tune then prescribed was the same as that now used for the drum-fife reveille, together with the words that have attached themselves to it of late years: Wake ye lazy soldiers, rouse up and be killed, Hard tack and salt horse, get your gizzard filled. Then go to fighting—fire your forty round—Fall dead and lay there buried under ground. If this time-honored (and much hated) tune has come down to us from so long, the words had on that morning a significance even more perfect than that ordinarily belonging to them. Early the company cooks must have been at work, boiling whole barrels of salt pork which had been in soak for days beforehand, and as much fresh beef as could possibly be used before spoiling. Bread had doubtless been baked and packed earlier in the week, and now all imaginable preparations for a march of nearly a month must be completed and the utensils packed and loaded into the company wagons. At each of the other, smaller households outside the fort similar toils and cares were going on. How were the lately weaned little ones to be cared for? Perhaps some parents hoped that they could drive their milch-cows with the caravan, seeing that grass was plenty and progress would be necessarily slow. What did the prospective mothers hope and fear? The wife of Phelim Corbin; how did she arm her soul for the month of rough travel, with the travail of child birth as one of its terrors? Certainly the happiest of the crowd were the unconscious little ones, sure of love and care, full of hope and curiosity—a round dozen of them in one wagon, beginning the first journey of their innocent lives—the first and last. Fancy the mothers tucking them in! The eager little faces upturned for good-bye kisses! All the workers might have spared themselves their trouble. If they were thinking of their cows, the crack of the Indian rifles soon ended that care. The food was enough and to spare; not a morsel of it did they ever eat. The journey of a month dwindled to a tramp of an hour; and as to the precious children—Captain William Wells had come, with thirty friendly Indians (Miamis) to guard and help them through their long, lonely tramp to Detroit. He was a white man, the uncle of the commandant's young wife (Rebekah Wells Heald), but had been stolen when a boy by the Indians and brought up by them; had married a chief's daughter and had fought on their side until, years ago, this same young niece had gone to him and persuaded him to come back to his own kith and kin. So any fears the helpless settlers might have felt at first could now surely be put aside—Wells was so strong, so brave, so well acquainted with the Indians! He could doubtless keep them in order, either by policy or by force. But if all was well, why had Captain Wells blackened his face—that is, put on the Indian sign of war and death—before starting that morning? All accounts agree that he did so, and usually it is taken as having been a sign of consciousness of impending death. Mrs. Helm seems to have regarded it in this light. The question can never be settled, but to me it seems to have been an act of policy; an effort to identify himself with his Miamis and other friendly Indians. Wau-Bun adds the gruesome and almost incredible story that the start out was made to the music of the dead march! As Mrs. Helm was on horseback with the column she must have known, and we can but take her word for it.
