Masters of French Music
9781465551603
132 pages
Library of Alexandria
Overview
THE reader who turns to these pages with the idea of finding therein a large and exhaustive account of the composers mentioned, with a technical analysis of their works, will, I fear, be disappointed. My intention has been a far more modest one. The dimensions of this volume would not have allowed me to devote that amount of space to each composer that might be considered due to his merits. The object I have had in view has been to give an account of their lives and to draw attention to the tendencies exhibited in their works. The French can boast a splendid musical record, particularly as regards the opera. Paris was for many years the centre towards which foreign artists were wont to gravitate. It was here that Gluck laid the seeds of his musical reforms; that Cherubini and Spontini lived and brought out their best works; it was the influence of French taste that caused Rossini to forsake the inartistic devices of his earlier Italian operas and write "Guillaume Tell," his masterpiece; it was for Paris that Meyerbeer composed "Robert le Diable," "Les Huguenots," "Le Prophète," and "L'Africaine;" that Donizetti wrote the "Favorite," and Verdi, "Don Carlos." It was Paris that Wagner had in his mind when he composed his "Rienzi
