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Images, Improvisations, Sound, and Silence from 1000 to 1800 - Degree Zero

Babette Hellemans Alissa Jones Nelson Rokus de Groot Pierre-Olivier Dittmar Cédric Giraud Irit Ruth Kleiman Theo B. Lap Burcht Pranger Jean-Claude Schmitt Asghar Seyed-Gohrab

252 pages
Amsterdam University Press
The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create.
Author Bio
Babette Hellemans teaches Cultural History and Medieval History at the University of Groningen, the Netherlands. She has published books and articles in English, French and Dutch focusing especially on the French intellectual tradition, the relationship between religion, academic discourse and the anthropology of images. Alissa Jones Nelson completed her PhD at the Centre for the Study of Religion and Politics, University of St. Andrews, in 2009. She has published a monograph and several articles focusing on the politics of biblical hermeneutics and postcolonial theory. From 2011-2016, she was the Acquisitions Editor for Religious Studies at De Gruyter. She now works as a freelance writer, editor, and translator. She is based in Berlin.