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Martyrdom

Canonisation, Contestation and Afterlives

Ihab Saloul Jan Willem van Henten Tobias Nicklas Yair Furstenberg Jennifer Knust Mieke Bal Asghar Seyed Gohrab Paul Middleton Friederike Pannewick Jeremy Punt

9789462988187
320 pages
Amsterdam University Press
Overview
The phenomenon of martyrdom is more than 2000 years old but, as contemporary events show, still very much alive. Martyrdom: Canonisation, Contestation and Afterlives examines the canonisation, contestation and afterlives of martyrdom and connects these with cross-cultural acts and practices of remembrance. Martyrdom appeals to the imagination of many because it is a highly ambiguous spectacle with thrilling deadly consequences. Imagination is thus a vital catalyst for martyrdom, for martyrs become martyrs only because others remember and honour them as such. This memorialisation occurs through rituals and documents that incorporate and re-interpret traditions deriving from canonical texts. The canonisation of martyrdom generally occurs in one of two ways: First, through ritual commemoration by communities of inside readers, listeners, viewers and participants, who create and recycle texts, re-interpreting them until the martyrs ultimately receive a canonical status, or second, through commemoration as a means of contestation by competing communities who perceive these same people as traitors or terrorists. By adopting an interdisciplinary orientation and a cross-cultural approach, this book goes beyond both the insider admiration of martyrs and the partisan rejection of martyrdoms and concisely synthesises key interpretive questions and themes that broach the canonised, unstable and contested representations of martyrdom as well as their analytical connections, divergences and afterlives in the present.
Author Bio
Ihab Saloul is Professor of Heritage, Memory and Narrative, founder and Academic Director of the Amsterdam School for Heritage, Memory and Material Culture (AHM), University of Amsterdam. His interests include heritage and memory studies, cultural studies, narrative theory and semiotics, postcolonialism, aesthetics, and diaspora and exile in contemporary cultural thought in Europe and beyond. His latest publications include W.G. Sebald’s Artistic Legacies: Memory, Word and Image (2023), and Diasporic Heritage and Identity (2023). Prof. Jan Willem van Henten is Professor of Religion (in particular Ancient Judaism and Ancient Christianity) at the University of Amsterdam, and extra-ordinary Professor of Old and New Testament at Stellenbosch University (South-Africa).