Mirror for Magistrates (Complete)
9781465684905
213 pages
Library of Alexandria
Overview
Although the prevailing taste for Bibliography has already drawn forth copious accounts of the various editions of the Mirror for Magistrates, and the industry of preceding Biographers has left little new to say of its authors, yet an entire Reprint of this once celebrated work requires the accompaniment of an Introductory Account of these subjects, even at the hazard of repeating a great deal that has been lately told, unmixed with much that is novel. The history of the Work divides itself under three several heads; viz. 1. Of its origin. 2. Of the 'primary inventor.’ 3. Of the various editions. But before these are separately examined, there may be fitly introduced the following view taken by our admirable historian of English Poetry, of the turbulent period of its first appearance. “True genius,” Warton says, “unseduced by the cabals, and unalarmed by the dangers of faction, defies or neglects those events, which destroy the peace of mankind, and often exerts its operations amidst the most violent commotions of a state. Without patronage and without readers, I may add without models, the earlier Italian writers, while their country was shook by the intestine tumults of the Guelfes and Guibelines, continued to produce original compositions both in prose and verse, which yet stand unrivalled. The age of Pericles and of the Peloponnesian war was the same. Careless of those who governed or disturbed the world, and superior to the calamities of a quarrel, in which two mighty leaders contended for the prize of universal dominion, Lucretius wrote his sublime didactic poem On the System of Nature, Virgil his Bucolics, and Cicero his Books of Philosophy. The proscriptions of Augustus did not prevent the progress of the Roman literature. In the turbulent and unpropitious reign of Queen Mary, when controversy was no longer confined to speculation, and a spiritual warfare polluted every part of England with murthers more atrocious than the slaughter of the most bloody civil contest, a poem was planned, although not fully completed, which illuminates with no common lustre that interval of darkness, which occupies the annals of English poetry from Surrey to Spenser, entitled A Mirrour for Magistrates.” After this general character of the work, the first step in our particular discussion leads us to its origin. This was confessedly Lydgate’s Fall of Princes, an origin which is very striking, and still enhances the high merit so eloquently ascribed to it by Warton, when we recollect that the writer to whom it thus owed its foundation, has been pronounced by a shrewd critic one “who disgraced the name and patronage of his master Chaucer.” But so decisive and intimate was this origin of a work, which had so important an effect on our national poetry, that when first planned, it seems intended to have been embodied in the same volume with the translation by Lydgate. To prove that this is not a mere point of speculative criticism; but, on the contrary, stands on evidence very different from conjecture, I need only cite the words of William Baldwin himself, the original editor: “Whan the printer (he says) had purposed with himselfe to printe Lidgates booke of the fall of Princes, and had made pryuye thereto many both honourable and worshipfull, he was counsailed by dyuers of them to procure to haue the storye contynewed from where as Bochas left, vnto this present time, chiefly of such as Fortune had dalyed with here in this ylande: which might be as a myrrour for al men as well nobles as others.” From this suggestion the printer, John Wayland, importuned Baldwin to undertake the task; but he describes himself as declining so weighty an enterprise without assistance.
