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9781465670991
213 pages
Library of Alexandria
Overview
A brilliant and daring thinker lately published some admirable papers called ‘Under the Yoke of the Butterflies.’ The only thing which I would have changed in those delightful satires would have been the title. There are no butterflies in this fast, furious and fussy age. They all died with the eighteenth century, or if a few still lingered on into this, they perished forever with the dandies. The butterfly is a creature of the most perfect taste, arrayed in the most harmonious colours: the butterfly is always graceful, leisurely, aerial, unerring in its selection of fragrance and freshness, lovely as the summer day through which it floats. The dominant classes of the present day have nothing in the least degree akin to the butterflies; would to Heaven that they had! Their pleasures would be more elegant, their example more artistic, their idleness more picturesque than these are now. They would rest peacefully on their roses instead of nailing them to a ballroom wall; they would hover happily above their lilies and carnations without throwing them about in dust and dirt at carnivals. Butterflies never congregate in swarms; it is only locusts which do that. Butterflies linger with languorous movement, always softly rhythmical and undulating even when most rapid, through the sunny air above the blossoming boughs. The locust is jammed together in a serried host, and tears breathlessly forward without knowing in the least why or where he goes, except that he must move on and must devour. There is considerable analogy between the locust and society; none between society and the butterfly. But be the yoke called what it will, it lies heavily on the world, and there is no strength in the strongest sufficient to lift it up and cast it off, for its iron is Custom and its ropes are Foolishness and Bad Example, and what is termed Civilisation carries it as the steer carries the nose-ring and the neck-beam. Some clever people have of late been writing a great deal about society, taking English society as their especial theme. But there are certain facts and features in all modern society which they do not touch: perhaps they are too polite, or too politic. In the first place they seem to except, even whilst attacking them, smart people as elegant people, and to confuse the two together: the two words are synonymous in their minds, but are far from being so in reality. Many leaders of the smart sets are wholly unrefined in taste, loud in manner, and followed merely because they please certain personages, spend or seem to spend profusely, and are seen at all the conspicuous gatherings of the season in London and wherever else society congregates. This is why the smart sets have so little refining influence on society. They may be common, even vulgar; it is not necessary even for them to speak grammatically; if they give real jewels with their cotillon toys and have a perfect artist at the head of their kitchens, they can become ‘smart,’ and receive royalty as much and as often as they please. The horrible word smart has been invented on purpose to express this: smartness has been borrowed from the vocabulary of the kitchenmaids to express something which is at the top of the fashion, without being necessarily either well born or well bred. Smart people may be both the latter, but it is not necessary that they should be either. They may be smart by mere force of chance, impudence, charm, or the faculty of making a royal bored one laugh.