The Etymology and Syntax of the English Language Explained and Illustrated
Alexander Crombie
9781465659026
213 pages
Library of Alexandria
Overview
Language consists of intelligible signs, and is the medium by which the mind communicates its thoughts. It is either articulate or inarticulate; artificial or natural. The former is peculiar to man; the latter is common to all animals. By inarticulate language, we mean those instinctive sounds, or cries, by which the several tribes of inferior creatures are enabled to express their sensations and desires. By articulate language is understood a system of expression, composed of simple sounds, differently modified by the organs of speech, and variously combined. Man, like every other animal, has a natural language intelligible to all of his own species. This language, however, is extremely defective, being confined entirely to the general expression of joy, grief, fear, and the other passions or emotions of the mind; it is, therefore, wholly inadequate to the purposes of rational intercourse, and the infinitely-diversified ideas of an intelligent being. Hence arises the necessity of an artificial or articulate language; a necessity coeval with the existence of man in his rudest state, increasing also with the enlargement of his ideas, and the improvement of his mind. Man, therefore, was formed capable of speech. Nature has furnished him with the necessary organs, and with ingenuity to render them subservient to his purposes. And though at first his vocabulary was doubtless scanty, as his wants were simple, and his exigencies few, his language and his intellect would naturally keep pace. As the latter improved, the former would be enlarged. Oral language, we have reason to suppose, continued long to be the only medium by which knowledge could be imparted, or social intercourse maintained. But, in the progress of science, various methods were devised for attaining a more permanent and more extensive vehicle of thought. Of these, the earliest were, as some think, picture-writing and hieroglyphics. Visible objects and external events were delineated by pictures, while immaterial things were emblematically expressed by figures representative of such physical objects as bore some conceived analogy or resemblance to the thing to be expressed. These figures or devices were termed hieroglyphics. It is obvious, however, that this medium of communication must not only have embarrassed by its obscurity, but must have also been extremely deficient in variety of expression.
