The Principles of the Art of Conversation
John Pentland Mahaffy
9781465657121
213 pages
Library of Alexandria
Overview
There can be no doubt that of all the accomplishments prized in modern society that of being agreeable in conversation is the very first. It may be called the social result of Western civilisation, beginning with the Greeks. Whatever contempt the North American Indian or the Mohammedan Tartar may feel for talking as mere chatter, it is agreed among us that people must meet frequently, both men and women, and that not only is it agreeable to talk, but that it is a matter of common courtesy to say something, even when there is hardly anything to say. Every civilised man and woman feels, or ought to feel, this duty; it is the universal accomplishment which all must practise, and as those who fail signally to attain it are punished by the dislike or neglect of society, so those who succeed beyond the average receive a just reward, not only in the constant pleasure they reap from it, but in the esteem which they gain from their fellows. Many men and many women owe the whole of a great success in life to this and nothing else. An agreeable young woman will always carry away the palm in the long run from the most brilliant player or singer who has nothing to say. And though men are supposed to succeed in life by dead knowledge, or by acquaintance with business, it is often by their social qualities, by their agreeable way of putting things, and not by their more ponderous merits that they prevail. In the high profession of diplomacy, both home and foreign, this is pre-eminently the case. But quite apart from all these serious profits, and better than them all, is the daily pleasure derived from good conversation by those who can attain to it themselves or enjoy it in others. It is a perpetual intellectual feast, it is an ever-ready recreation, a deep and lasting comfort, costing no outlay but that of time, requiring no appointments but a small company, limited neither to any age nor any sex, the delight of prosperity, the solace of adversity, the eternal and essential expression of that social instinct which is one of the strongest and best features in human nature. If such be the universality and the necessity of conversation in modern society, it seems an obvious inquiry whether it can be taught or acquired by any fixed method; or rather, as everybody has to practise it in some way, not as a mere ornament, but as a necessity of life, it may be asked: Is there any method by which we can improve our conversation? Is there any theory of it which we can apply in our own case and that of others? If not, are there at least some practical rules which we ought to know, and which we should follow in endeavouring to perform this essential part of our social duties? To assert that there is some such systematic analysis of conversation possible is to assert that it is an Art—a practical science like the art of reasoning called Logic, or the art of eloquence called Rhetoric. Now this runs counter to one of the strongest convictions of all intelligent men and women, that if anything in the world ought to be spontaneous it is conversation. How can a thing be defined by rules which consists in following the chances of the moment, drifting with the temper of the company, suiting the discourse to whatever subject may turn up? The instant any one is felt to be talking by rules all the charm of his society vanishes, and he becomes the worst of social culprits—a bore. For it is the natural easy flow of talk which is indeed the perfection of what we seek. Didactic teaching, humorous anecdotes, clever argument—these may take their part in social intercourse, but they are not its perfection.
