Charles Peace: The Adventures of a Notorious Burglar
Anonymous
9781465656834
213 pages
Library of Alexandria
Overview
Charles Peace alias John Ward, whose life and adventures form the subject-matter of our story, has gained for himself a reputation equal, if not superior, to the lawless ruffians, Jack Sheppard, Dick Turpin, and others of a similar class. He is a union of various elements. In more senses than one he was a local character. Born in Sheffield he was, in early days, trained according to the customs of the day, and when about eight or ten years of age was one of the foremost amongst his companions in any game of audacious fun. He was always considered a “rough,” even amongst his earlier associates, and it is said that he was dreaded by the children with whom he played. At ten years of age he had to assist his father who was named Joseph Peace, in the earning of the daily bread for the family. Mr. Joseph Peace was a man well respected. He was what is known in Sheffield as a “little master,” but in commercial terms would be placed as a “file manufacturer.” He had a large family, and amongst his children was this lad, who has achieved such notoriety in the world. Charles Peace, from his very boyhood, was wild. It is said that there was no adventure to be undertaken in regard to which he had any fear; neither did he require twice telling when he was requested to lead the way in any mischievous plot. Mr. Joseph Peace was a man of religious inclinations, and was a member of the Wesleyan body. He occupied a house in George-street, Langsett-road, a thoroughfare which is now known as Gilpin-street. He had a taste for music, and played the “bass” at the Wesleyan Chapel, Owlerton. When ten years of age Charles Peace commenced to take lessons on the violin, his instructor being his father, who rather prided himself on the way he could play the double-bass. His son Charles was a diligent pupil, and ultimately, having acquired a proficiency in the instrument, he started in life as a sort of successor to Paganini—fiddling most successfully on one string, and only failing to achieve some distinction because he lacked the patience which was necessary to make the stage his “field of fame.” Yet he was always an artist. If he did not discern for himself a sufficiently splendid career in art, amateur violinists who lived in the neighbourhood of Greenwich, Peckham, or Blackheath had sufficient reason to regret Mr. Charles Peace’s devotion to music. They found that some undiscovered burglar was abroad who had a good taste in the selection of fine instruments. Mr. Peace indeed had a passion for violins; and if he spared a service of plate sometimes, he was never known to leave a really good fiddle behind. He was distinguished, too, by his general cultivation and by his devotion to the fair sex. As his good fortune grew, so did the number of inamoratas increase, yet he never seems to have really deserted the wife whom he married. In housekeeping his taste was luxurious, and he invariably moved into more aristocratic neighbourhoods as he prospered in the art and mystery of burglary. And here comes out the singular phase of his character. There is no doubt his fame and fortune as a housebreaker culminated in the period between the Bannercross murder and his apprehension at Blackheath; but he appears to have previously enjoyed a reputation as a cracksman. How does it happen, then, that he could settle down to the life of a picture-frame maker at Sheffield? The circumstances would not be so mysterious if he had not really made picture-frames; but it appears that he actually worked at the trade. There is some mystery here which requires to be explained. It is difficult to believe Peace turned honest in a fit of repentance; he would, in all probability, have some other object, which has not yet been made clear.
