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The Strand District

9781465646538
118 pages
Library of Alexandria
Overview
Beginning at the extreme westerly limit of St. Martin's-in-the-Fields, on the south side of Hyde Park Corner, we find ourselves in the Green Park. This is a triangular piece of ground, which was formerly called Little or Upper St. James's Park. It has not much history. In 1642 fortifications were erected on Constitution Hill, and at the end of the seventeenth century this same spot was a noted place for duels. Fireworks on a great scale, with public entertainments, took place in the park at the Peace of Aix-la-Chapelle, and again in 1814. On Constitution Hill three attempts were made on the life of Queen Victoria. The chief object of interest in the park is Buckingham Palace, which is not altogether in St. Martin's; in fact, the greater part, including most of the grounds, is in the adjacent parish of St. George's, Hanover Square. The palace is a dreary building, without any pretence of architectural merit, but it attracts attention as the London home of the English Sovereign. It stands on the site of Arlington House, so called from its connection with Henry Bennet, Earl of Arlington (the Earl whose initial supplied one of thea's in the word "Cabal"). John Sheffield, Duke of Buckingham, bought the house and rebuilt it in 1703, naming it after himself, and including in the grounds part of the land belonging to Tart Hall, which stood at the head of St. James's Street, and has been mentioned in the account of the adjoining parish of St. Margaret's, Westminster. Buckingham House was bought from Sir Charles Sheffield, son of the above-mentioned Duke, by the Crown in 1762. In 1775 it was granted to Queen Charlotte as a place of residence in lieu of Somerset House, and at this period it was known as Queen's House. George IV. employed Nash to renovate the building, and the restoration was so complete as to amount to an entire rebuilding, in the style considered then fashionable; the result is the present dreary building with stuccoed frontage. The interior is handsome enough, and, like that of many a London house of less importance, is considerably more cheerful than the exterior. The chief staircase is of white marble, and the rooms are richly decorated. The state apartments include drawing-rooms, saloons, and the throne-room, which is sixty-four feet in length. The picture-gallery contains a collection of pictures made by George IV., chiefly of the Dutch school; it includes works of Rembrandt, Rubens, Vandyck, Dürer, Cuyp, Ruysdael, Vandervelde, and others. The grounds are about forty acres in extent, and contain a large piece of ornamental water, on the shore of which is a pavilion, or summer-house, with frescoes by Eastlake, Maclise, Landseer, Dyce, and others, illustrating Milton's "Comus." The channel of the Tyburn, now a sewer, passes under the palace. The Marble Arch, at the north-east corner of Hyde Park, was first designed to face the palace, where it stood until 1850. The palace is partly on the site of the well-known Mulberry Gardens, a place of entertainment in the seventeenth century. These gardens originated in an order of James I., who wished to encourage the rearing of silkworms in England. This project, like many others of the same King, proved a failure, and the gardens were turned into a place of public recreation. The frequenters were of the fashionable classes, and came in the evening to sit in small arbours, and "be regaled with cheesecakes, syllabubs, and wine sweetened with sugar." In this form the place was extremely popular, and is often mentioned in contemporary literature. Dryden came there to eat tarts with "Mrs." Anne Reeve, and doubtless Evelyn and Pepys often strolled about in the gay crowd, a crowd much gayer than it would now be—in the matter of costume, at all events. The scene of "The Mulberry Gardens," a play by Sir Charles Sedley (1668) is laid here.