A Book for the Hammock
9781465638328
102 pages
Library of Alexandria
Overview
It was a brilliant afternoon. The sunshine in the water seemed to hover there like some flashful veil of silver, paling the azure so that it showed through it in a most delicate dye of cerulean faintness. The light breeze was abeam; yet the ship made a gale of her own that stormed past my ears in a continuous shrill hooting, and the wake roared away astern like the huddle of foaming waters at the foot of a high cataract. On the confines of the airy cincture that marked the junction of sea and sky gleamed the white pinions of a little barque. The fabric, made fairy-like by distance, shone with a most exquisite dainty distinctness in the lenses of the telescope I levelled at it. The vessel showed every cloth she had spars and booms for, and leaned very lightly from the wind, and hung like a star in the sky. But our tempestuous passage of thirteen knots an hour speedily slided that effulgent elfin structure on to our quarter, where she glanced a minute or two like a wreath of mist, a shred of light vapour, and then dissolved. What has become, thought I, of the old romance of the sea? The vanished barque and the resistless power underneath my feet, shaking to the heart the vast metal mass that it was impelling, symbolized one of the most startling realities of modern progress. In sober truth, the propeller has sent the poetry of the deep swirling astern. It is out of sight. Nay, the demon of steam has possessed with its spirit the iron interior of the sailing ship, and from the eyes of the nautical occupants of that combination of ore and wire “the glory and the dream,” that ocean visionary life which was the substance and the soul of the sea-calling of other days, has faded as utterly as it has from the confined gaze of the sudorific fiends of the engine-room. To know the sea you must lie long upon its bosom; your ear must be at its heart; you must catch and interpret its inarticulate speech; you must make its moods your own, rise to the majesty of its wrath, taste to the very inmost reaches of your vitality the sweetness of its reposeful humour, bring to its astonishments the wonder of a child, and to its power and might the love and reverence of a man. “Enough!” cries Rasselas to Imlac, “thou hast convinced me that no human being can ever be a poet.” And I have convinced myself that the conditions of the sea-life in these times prohibit the most ardent of imaginative sailors from the exercise of that sort of divination which is to be found in perfection in the old narratives. The vocation is too tedious, the stress of it too harassing, the despatch insisted upon too exacting, to furnish opportunity for more than the most mechanical motions of the mind. A man is hurried from port to port with railway punctuality. He is swept headlong through calms and storms, and if there come a pause it will be found perilous; and consternation takes the place of observation. Nothing new is left. The monsters of the deep have sunk into the ooze and blackness of time and lie foundered, waiting for the resurrection that will not come until civilization has run its course and man begins afresh. All seaboards are known; nothing less than an earthquake can submit the unfamiliar in island or coast scenery. The mermaid hugging her merman has shrunk, affrighted by the wild, fierce light of science, and by the pitiless dredging of the deep-water inquirer, into the dark vaults beneath her coral pavilions. Her songs are heard no more, and her comb lies broken upon the sands.
