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Gleanings from the Harvest-Fields of Literature

A Melange of Excerpta

9781465619112
213 pages
Library of Alexandria
Overview
An earlier edition of Gleanings having attracted the hearty approval of a limited circle of that class of readers who prefer “a running banquet that hath much variety, but little of a sort,” the present publisher requested the preparation of an enlargement of the work. In the augmented form in which it is now offered to the public, the contents will be found so much more comprehensive and omnifarious that, while it has been nearly doubled in size, it has been more than doubled in literary value. Miscellanea of the omnium-gatherum sort appear to be as acceptable to-day as they undoubtedly were in the youthful period of our literature, though for an opposite reason. When books were scarce, and costly, and inaccessible, anxious readers found in “scripscrapologia” multifarious sources of instruction; now that books are like the stars for multitude, the reader who is appalled by their endless succession and variety is fain to receive with thankfulness the cream that is skimmed and the grain that is sifted by patient hands for his use. Our ancestors were regaled with such olla-podrida as “The Gallimaufry: a Kickshaw [Fr. quelque chose] Treat which comprehends odd bits and scraps, and odds and ends;” or “The Wit’s Miscellany: odd and uncommon epigrams, facetious drolleries, whimsical mottoes, merry tales, and fables, for the entertainment and diversion of good company.” To the present generation is accorded a wider field for excursion, from the Curiosities of Disraeli, and the Commonplaces of Southey, to the less ambitious collections of less learned collaborators. “Into a hotch-potch,” says Sir Edward Coke, “is commonly put not one thing alone, but one thing with other things together.” The present volume is an expedient for grouping together a variety which will be found in no other compilation. From the nonsense of literary trifling to the highest expression of intellectual force; from the anachronisms of art to the grandest revelations of science; from selections for the child to extracts for the philosopher, it will accommodate the widest diversity of taste, and furnish entertainment for all ages, sexes, and conditions. As a pastime for the leisure half-hour, at home or abroad; as a companion by the fireside, or the seaside, amid the hum of the city, or in the solitude of rural life; as a means of relaxation for the mind jaded by business activities, it may be safely commended to acceptance. The aim of this collation is not to be exhaustive, but simply to be well compacted. The restrictive limits of an octavo require the winnowings of selection in place of the bulk of expansion. Gargantua, we are told by Rabelais, wrote to his son Pantagruel, commanding him to learn Greek, Latin, Chaldaic, and Arabic; all history, geometry, arithmetic, music, astronomy, natural philosophy, etc., “so that there be not a river in the world thou dost not know the name and nature of all its fishes; all the fowls of the air; all the several kinds of shrubs and herbs; all the metals hid in the bowels of the earth, all gems and precious stones. I would furthermore have thee study the Talmudists and Cabalists, and get a perfect knowledge of man. In brief, I would have thee a bottomless pit of all knowledge.” While this book does not aspire to such Gargantuan comprehensiveness, it seeks a higher grade of merit than that which attaches to those who “chronicle small beer,” or to him who is merely “a snapper-up of unconsidered trifles.”